I know, from being a writer myself, that research is a key part to any narrative, be it fiction or non, but the work that has gone into this book must have been very extensive because, as is very apparent from the beginning, the reader is quickly ensconced into the past, in Alma Fielding's life, her very living room, surrounded by her family, and with cups flying, tables thumping, stranger's jewellery appearing on her hands, eggs flying and items being tossed down the stairs, the writing flows so expertly that you soon forget any scepticisms you may have had when turning the first page, and accept what is happening as truth - that there was a haunting in a London suburb in 1938.
Enter, Nandor Fodor - a Jewish-Hungarian refugee and chief ghost hunter for the International Institute for Psychical Research, who, having read about her case and arranged to meet at the Fielding's house, starts to believe that maybe there is something in the story, that a poltergeist may actually be haunting Alma Fielding. To test this theory, Fodor invited Alma to the institute to undergo tests, tests to see if object will materialise in her presence, like the terrapin that seemed to materialise on her lap during a car journey - and to try and get to the bottom of the mystery.
I truly didn't know how this book would conclude, whether proof of the haunting would be put beyond reasonable doubt by the author and therefore convince the reader that what had happened was genuine, or whether there was fraud at play, and if so, for what purpose - after all, the amount of smashed crockery and ruined food described here would have cost a lot to replace and Alma Fielding was only paid a minimal sum to attend the institute and there was no guarantee that that would have been on the cards when the haunting began; so again, what motive other than a bona fide haunting was there?
Well, you'll have to read the book and draw your own conclusions because, as is usual, I'm giving nothing away here, but what I will say is this: Kate Summerscale has an amazing ability. She writes about what could have been a rather lacklustre incident in 1930s London just before World War II and pulls you in in her skilful way and you're halfway through before you've had time to draw breath, to think, to process, and when you do, when you come up for air and start asking those inevitable questions: is this really real? Did these people really witness these events? Did an International Institute for Psychical Research really exist? You dive back in to get the answers, and that sort of writing is rare and should be applauded and so, four stars for, The Haunting of Alma Fielding is fully deserved and as a book, I whole heartedly recommend it.
Enjoy.
Enter, Nandor Fodor - a Jewish-Hungarian refugee and chief ghost hunter for the International Institute for Psychical Research, who, having read about her case and arranged to meet at the Fielding's house, starts to believe that maybe there is something in the story, that a poltergeist may actually be haunting Alma Fielding. To test this theory, Fodor invited Alma to the institute to undergo tests, tests to see if object will materialise in her presence, like the terrapin that seemed to materialise on her lap during a car journey - and to try and get to the bottom of the mystery.
I truly didn't know how this book would conclude, whether proof of the haunting would be put beyond reasonable doubt by the author and therefore convince the reader that what had happened was genuine, or whether there was fraud at play, and if so, for what purpose - after all, the amount of smashed crockery and ruined food described here would have cost a lot to replace and Alma Fielding was only paid a minimal sum to attend the institute and there was no guarantee that that would have been on the cards when the haunting began; so again, what motive other than a bona fide haunting was there?
Well, you'll have to read the book and draw your own conclusions because, as is usual, I'm giving nothing away here, but what I will say is this: Kate Summerscale has an amazing ability. She writes about what could have been a rather lacklustre incident in 1930s London just before World War II and pulls you in in her skilful way and you're halfway through before you've had time to draw breath, to think, to process, and when you do, when you come up for air and start asking those inevitable questions: is this really real? Did these people really witness these events? Did an International Institute for Psychical Research really exist? You dive back in to get the answers, and that sort of writing is rare and should be applauded and so, four stars for, The Haunting of Alma Fielding is fully deserved and as a book, I whole heartedly recommend it.
Enjoy.
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